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Updated
June 19, 2004
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Marian is an enthusiastic amateur historian whose obsession with the Kelly story began on 21st October 1980 - the evening the first episode of "The Last Outlaw" was screened. She has a simple ambition - to know everything about Ned. | ||
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Truth,
Lies, and Kelly fiction
When an internationally respected
author like Peter Carey decided to
tackle the subject, it was bound to excite widespread reaction and comment.
His mischievously titled 2000 novel, True History Of The Kelly Gang,
was carefully clothed in an air of authenticity. Robert Drewe's 1991 novel, Our Sunshine, caused less confusion, probably because its surreal nature clearly stamped it as a work of fiction. Drewe described his book as " a chronicle of the imagination. It owes more to folklore and the emotional impact of some photography and painting than to the bristling contradictions of historians and biographers." Never-the-less, his 'Author's Note' at the back listed Kenneally, Brown and McQuilton as sources, along with the Cameron and Jerilderie Letters. He skimmed lightly over historical details but they are there, sometimes presented with surprising clarity. He interpolated a number of sequences, some of which seemed bizarre but actually had vague bases in fact, for example, the poisoning of waterholes and burning of the bush by police, and the bailing up of a circus at Glenrowan. They were suggestions made into facts. According to Ned, the first two were made by a politician, and the last was a whimsical comment reportedly made by Ned himself. The Gang's drinking of horse blood and Ned's affair with a woman 'above his station' however, were pure fiction! The Ned of Our Sunshine, was sexy, vibrant, rather immature, visceral, unsure - he wasn't 'my' Ned but Drewe's interpretation caused me to dwell on what it was about Ned's public image that resulted in this view. I liked the book but when I heard it was to be adapted as a film, I had grave doubts!
According to Kelly bibliographer, Brian McDonald, people began writing fiction about the Gang quite soon after its demise. This followed a well-established tradition. In The Outlaw Legend, Dr Graham Seal writes, "With the rise of the novel as a commercial genre, serious prose writers also turned their attention to outlaw heroes: [Sir Walter] Scott treats Rob Roy; [Dick] Turpin is featured in W.A. Harrison's 'Rookwood: A Romance' (1834); Robin Hood is a continual subject for writers of all kinds." The Kelly saga was perfect, ready-made material with all the requisite elements - death, betrayal, family loyalty, class conflict, heroism, cowardice, mateship, a hint of romance, you name it, it's there - plus a leading character of Shakespearean proportions who, like all tragic heroes, sowed the seeds of his own destruction (and you can bet that if Shakespeare had tackled the tale, the resulting play wouldn't have been historically accurate!) Early authors drawing on the Kelly saga used a variety of approaches. One was to base a story loosely on the activities of the Gang but change the names and thus avoid any complaints that it wasn't accurate or that it was glorifying villains, such as in Nat Gould's 1894 novel, Stuck Up. Another way was to add a bit of fire to an otherwise possibly dull autobiography or travelogue by interpolating some outlaw action. In an era when real facts were hard to come by and you were likely to sell a few copies before someone bothered to challenge your accuracy, it was probably a pretty harmless technique. One of my favourites is A Jew Went Roaming, by Alfred Goldberg. Alfred, a small businessman who clearly had a reasonable knowledge of North-East Victoria and who may even have met Ned, judging by the rather kindly attitude he displays, described how he came across the Kelly Gang when the four of them were, as Alfred's version had it, merely cattle-duffers, working in partnership with the Kelly brothers-in-law and living at home in Greta with the "old woman" looking after them. He lost his good meerschaum pipe to Ned who "held out a large hairy hand" to take it! Later, young Alfred just happened to come across the bodies of Scanlon and Lonigan at Stringybark Creek. He had been camped close by overnight but, oddly enough, had failed to hear the gunbattle the previous evening. Goldberg's section on the Gang concludes with a passage that displays the ambivalent attitude felt by many people of the time - "As I sat in the Melbourne Court and watched Ned Kelly led below to await his execution, I could not help but feel that, vile and unjustifiable as his career had been, somehow there was a touch about the whole affair, the effrontery of one man defying the united efforts of those whose job it is to preserve law and order, that would thrill every man with any devil in him." A third method was to incorporate the real historical people into a truly fictional story. In 1929 Charles Taylor published his highly successful novel, The Girl Who Helped Ned Kelly, the cliff-hanger chapter endings clearly showing its origin as a serial in Table Talk magazine the previous year. Apparently there had been fierce competition for the publishing rights and Table Talk increased its weekly sales by 10 000 during the novel's run. The book is a rather melodramatic tale of a mysterious young man from Melbourne who manages to work his way into the inner Kelly circle, gets the jump on Ned at their first meeting, and even teaches these outlaws a thing or two about bushcraft! While it seems daggy and unrealistic now, I think the book was quite an important one. Taylor had visited Kelly Country to do a little research and had even spoken to Jim Kelly who had shown him the old house on the Eleven Mile Creek and told him a story or two about Ned. Taylor was the first person to mention that Lorna Doone was a favourite book of Ned's, he stated that circular saw blades were tried as armour material but proved too brittle and, more significantly, he hinted at the presence of a sympathiser army waiting in the background at Glenrowan for Ned to give them the word.
This humanising of men who had been vilified during their lifetimes is also echoed in Carey's book; at the beginning Ned lurches out of the dawn mist at Glenrowan, half robot half monster, described as "the creature", "the fiend", which "mechanically" moves its head - he is always referred to as "it"; by the end of the novel, when the same scene is described, presumably by Thomas Curnow's child, Ned has become "a man of skin and shattered bone".
From the distance of the 21st
century it's very difficult for us to fully understand just how concerted
and ferocious the authorities' attack on the Kellys was. Recently I was talking about Ned to a well-educated pair of Australians whose views neatly demonstrated some old and new misconceptions. He, university-educated and from an Irish Catholic background, asked me how I justified Ned's actions in gathering up hostages at Glenrowan and then shooting them. When I informed him that it was, in fact, members of the police force who shot at, injured and killed hostages, he gave me a very disbelieving look. She had "done a term" about the Kelly outbreak at school, including a field trip to Glenrowan, and she informed me that Ned was well-known for having a number of love affairs!
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